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No Boundaries
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No Boundaries

Aspen, Colorado - 2026
Aspen, Colorado

Ostensibly, the premise of the Woody Creek Tavern, 15 minutes outside Aspen, is far from compelling. The Aspen amphitheatre has​ a visual splendour, but the Woody Creek Tavern sits by a road with a steep bank on one side and no real view of anything other than a few nearby modest homesteads. In a place of such mountain grandeur, it could seem an anomaly that a destination location such as this offers very little sense of place. Indeed, there is a feeling that you could be anywhere in the Rockies, not a short ride from the world’s most notorious ski resort.

But here is the trick: good venues don’t need views, they need history, a loyal clientele and passionate owners who want to retain the lore of the joint. In Craig and Samantha Cordts-Pearce, the WCT has exactly that and no pillar of the local community is more loved than this quirky wood shack. It has a vibe that can’t really be copied.

In the late 60s and early 70s, Aspen was the Babylon of the Rockies - a place of sexual freedom, a little too much cocaine and a freewheeling attitude towards the meaning of life. It was bohemian, liberal and non-judgmental. The WCT was its mission control.

In 1970, Hunter S.​ Thompson - the WCT’s most regular customer - ran for Sheriff on a wild platform of reform that included decriminalizing drugs for personal use and renaming Aspen “Fat City” to deter investors. He lost, but only by 500 votes.

Hunter plays a cameo in this image, which features the famous Ferrari 250 GTO. This $100m car was made to be outside the WCT and I am proud we made this happen. Wealth played no role in the hierarchy of 1970s Aspen but being cool most certainly did.

There were no boundaries.

Wealth played no role in the hierarchy of 1970s Aspen but being cool most certainly did.

David Yarrow
Printing and framing
Printing and framing
B&WCOLOR
Print sizes

Standard

37” x 58” Unframed

52” x 73” Framed

Edition of 12

Large

56” x 87” Unframed

71” x 102” Framed

Edition of 12

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